As a consquence of Blathwayt’s
royal connections and influential uncle Thomas Povey, the house was to
become a showcase for his taste in Dutch decorative arts. The
collection includes delftware, paintings and furniture; later
18th-century additions include furniture by Gillows and Linnell.
Restored Victorian domestic rooms include kitchens, tenants’ hall and
delft-tiled dairy.
When Blathwayt purchased the estate in the
late 1680s, his intentions were to build a new house, replacing the
dilapidated Tudor manor house that he found on the site. Finances
dictated that a more viable option would be to retain the core of the
sprawling property and extend it gradually as money became available.
In 1692 the new west range was started, followed by an even grander
east range, then a stable block, and finally the Orangery. The
transformation was completed in 13 years, and Blathwayt now had an
elegant baroque mansion, which was later enhanced by fabulous gardens.
Both house and gardens were heavily influenced by Dutch styling, and
much of the internal decor and furnishings were also of Dutch origin.
Beyond a few essential repairs, Dyrham Park
was left virtually untouched until the midddle of the 19th century. As
ordinary country squires, Blathwayt's heirs did not appear to have the
interest or the funds to make any substantial improvements or
alterations to the house, or indeed maintain it properly. When the
house passed to Colonel Blathwayt in 1844 he had to take out a very
large loan to enable repairs and restoration at Dyrham, including
buying back furniture and pictures that had been removed by his
predecessor's family. The only other significant changes were a series
of redecorations carried out between 1938 and 1946 by Lady Islington, a
tenant during that time. By 1954 the house was again in a poor state of
repair and the family had no alternative but to give it up.
What the visitor sees today is a superbly
restored property containing many of the fine textiles, paintings, and
Dutch ceramics collected by the builder. At the time of the Colonel's
modernisations, the domestic rooms were relaid and the splendid
Victorian kitchen, bakehouse and dairy make fascinating viewing.
Unfortunately the complex arrangement of formal gardens, parterres,
water features and terraces have long since disappeared, but a sketch
made in 1710 gives a fairly accurate idea of the elaborate design.
It is now run by the National Trust.